Grey Days

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Waking up this morning, you never would have known it was 7:00 a.m. on a Saturday. It’s so dark out that even though rain was not predicted, I suspect it is getting close. That’s okay, because I like the grey days.

A ‘grey day’ for most people might mean depression, but for me, it tends to be more about creativity. I am, quite honestly, locked in my room with my computer. It’s drowning out all the bullshit and drama, and allowing me to focus on what I truly want and need to do.

Drawing out creativity isn’t something you can truly schedule. There are days you can sit and stare at the screen, and nothing happens. I try not to push myself. I write and revise when I am feeling it. I go over other people’s work because it’s my job, but it is also my job to write my own material and make sure it’s cleaner than a hostel shower.

I cannot begin to say how many times someone has told me they’re sending me a “clean manuscript”, and the end result is me wanting to yank all of my hair out of my head because it is riddled with errors and is anything, but “clean”. In fact, it ends up redefining the words “first draft”. Alas, all you can do is fix it, provide notes and suggestions, and then send them on their way. Once your portion of the job is complete, you’re usually out of the picture. Not so with your own work.

Book #1 is important to me (They all are.). It’s not the first thing I’ve ever written, it certainly won’t be the last, but it is important. If I’m putting my name on it, it cannot be shit because I will not allow it. Thankfully, I’ve been writing so long that I know when I’ve written quality and I definitely know when I’ve written “filler”. Since I don’t get paid to write “filler”, I also know when to cut. The writer’s group I belong to; it seems a lot of people have difficulties with knowing when to cut. I’m not a “Please read my book so I can get your opinion/approval.” kind of person. I’m a protector of the body of work until it goes into the editing process, and even then, I am protective of what cannot be cut under any circumstance. Basically, I’m protective until it hits someone’s e-reader or shelf. After that, everyone that reads it will have an opinion and they are entitled to them. Unless someone is an absolute troll, the best thing for me to do is my job and allow everything else to simply be.

copyright © 2014 by Lisa Marino & Blackbird Serenity LLC. ALL RIGHTS RESERVED.

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Saturday Morning Humor

I have been lucky (and not so lucky) to read a LOT of books long before they were ever published. The other day I was asked how crucial the editing process is. I said “As an editor, making sure your work is properly edited and not riddled with mistakes and errors is of the utmost importance. I cringe whenever I see something poorly edited.” I expected no response whatsoever, because really, why would I?

Then I noticed that what I said DID raise a comment, and it went a little something like this “Then how do you explain Fifty Shades Of Grey being published?!” I had the hardest time not laughing. I go from speaking from experience to being blamed for work I didn’t even edit! I’m pretty damn sure I was not credited as EL James’ editor, and if I was, I want a retraction, STAT.

I did respond to the ludicrous comment, only because editors aren’t publishers. We can push something and market it to death to a literary agent, but even that really isn’t our job. Marketability is not what I get paid, or in this case blamed, to do. However, as an editor, I do believe in letting the author know precisely how marketable their work is and which direction to take it in.

I’ve told people exactly which agents to submit queries to. A lot of people are first-time writers, have never been published, and even though they have a finished product, they have absolutely no idea what to do with it after the first edit. I advise, but unless I’m on contract, I do not do more than an extremely thorough edit with notes. In most cases, I am the first edit or the last before submission. Some books, while incredibly brilliant, never see the light of day. That is why more and more people are self-publishing and/or going through smaller publishing houses. It’s not an easy process, yet people seem to believe that it is because way too many idiots are on the New York Times Best Sellers List. Only 60% of them have true talent (Hell, I read their books!), and sometimes the numbers are higher or lower, depending on the month. Hand me a book, I will find the errors in the editing and grammar. And yes, it always makes me cringe.

As the consumer, and this goes for me as well, if you don’t like something, don’t fucking read it. Save your receipts, return whatever it is you disliked, and get something new or get a store credit. But don’t blame the editors of the world for what other people write!

copyright © 2014 by Lisa Marino & Blackbird Serenity LLC. ALL RIGHTS RESERVED.

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Right Now

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Sometimes, the most important thing I need is silence. Having finished that hellacious read-through, I am glad to be able to be done with it and be able to put it behind me. One of the most important things I have learned about reading a truly raw manuscript is that as a writer, I truly know what works and what doesn’t. This particular client seems to only want people to kiss his ass and tell him how fabulous his work is. I have to be honest. There were some well-written parts on the character end of things, but mostly I felt like someone had handed me half of a book, or maybe even a third of it, and said “What do you think of this? I want lots of feedback.” All I could think at the end was “What the fuck did I MISS here?!” I later learned he’d hired several other people to read different sections of the book, as opposed to hiring ONE person to read the entire book. Yeah, that’s more than half-assed to me, but whatever. Not my monkeys, not my circus.

Since that job came to a close, it’s given me some time to respond to e-mails and look over my own manuscript. I sat here earlier reading the first few chapters and was so immersed in the story, I forgot who’d written it. That is the mark of a great story teller. If I can completely forget it’s my own work, I have done something really special. I saved some extra bits I wrote, and exited the program with a smile on my face.

In a completely non-arrogant, non-cocky way, these past two jobs have shown me that I am not a hack. I’m experienced, I have talent, and I know how to put a story together. Yes, some people write their first book and totally knock it out of the park, and others write in different genres for YEARS before they ever write their first book. I think the most important thing is that I see who I am now, very clearly, and I’m proud of that person, that writer. I have grown. I’ve exceeded my own expectations, and that’s truly something special.

I look forward to what each job brings me in terms of self-awareness because I might be helping other writers polish their work, but what I’m really doing is shining my own diamond. I’m proud of book one, and I am proud of the progress I am making on the other books as well. The fact that a few months ago, I was questioning my own progress, education, experience, and writing ability seems so ridiculous to me.

No, I didn’t go to Harvard to “be a writer” (Harvard was NEVER my dream.), but I’m also not lacking in anything. Everyone’s journey is different, and that’s okay. People can criticize me, and they can say what they will, but at the beginning and end of each day, I know who I am.

I’m many things, but in the grand scheme of it all…I AM A WRITER. Color me discovered! 

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copyright © 2014 by Lisa Marino & Blackbird Serenity LLC. ALL RIGHTS RESERVED