Copyrights | Written by LISA MARINO-Molchanova

I think I make myself incredibly clear. Clear to the point of overly repetitive! I’m starting to think I should come with a warning label, because some people are so stupid they cannot read the simplest of statements.

If you read my editor’s profile I strictly state that I will NOT do sample edits. I have done a few, but over time you see that the job you just did a sample for ends up going to someone else. It’s always the person with a lower bid. It’s not about how good you are, it’s about someone saving a few dollars. That’s fine. C’est la vie. However, I have now made it mandatory, part of my own personal policy if you will. I don’t give my work away for free, nor should anyone expect me to do so.

I received an inquiry late last night, complete with a chapter. Not only did the person not ask me anything, they simply said “Can you do a sample page? Thanks.” (I’d like to say that request wasn’t riddled with spelling errors, but it was. A simple request, filled with errors in spelling and grammar. For a second I said to myself “Do I just do it, or am I competing against two dozen other people?” The thought of losing out to someone else over a few dollars made me stand firm. I finally replied “I will only do the sample if I am the only person you are considering for the job. No one worth their salt gives their work away for free. Thank you” That’s not me being a bitch or egotistical, it’s laying down some important ground rules.

I’m always polite and professional, but I truly don’t think anyone worth their salt should give their work away for free. I will work with a person until they are happy with their manuscript, but I don’t think I should have to posture and/or bow down to whatever it is they’re looking for in a “sample”. If you’re hiring someone, read their bio. Look at their list of experience. Choose based on that. I might not always choose the person with the most experience, because sometimes they aren’t the right person for the specific genre, but I will choose the person that instinctively feels right in my soul.

My bio says “27 years of writing experience, nearly 20 years of editing experience.” (January 1st is my 20 year mark. 🙂 ) and lists all of my qualifications and precisely what I specialize in. It also clearly states that I no longer do sample edits because the practice has become unacceptable to me, not to mention it is frowned upon by the employer. Even they tell you that 99% of the time when you do a sample for someone, you will never hear back from the person and not to give your hard work away for free. For me, it’s really not worth it. Yes, I want the job, but I am not going to beg for it, not with an extremely long list of experience backing me up. Choose me because I am right for the job, or choose someone else. Either way, it’s okay.

As a writer, I am extremely careful who I share my work with. I don’t care who you are or how much trust I have in you, my work is MY WORK and there’s a line I simply will not cross. There are only two sets of eyes that have ever looked at my fiction work, and one set of those eyes is my own. Some people have seen brief excerpts or quotes, nothing more.

You really have to be careful to protect your work and shield it. There are thousands of cases in the court system for copyright infringement. There is always someone claiming to own a story when it was simply shared with them in friendship, or as a fresh set of eyes. I sign non-disclosure agreements to protect other people because I respect that they’ve worked hard. I do not want or need their ideas, and it is not my right to steal their work. My word is my bond, but if a piece of paper will also protect a client, then so be it. I feel the same way in kind because I have worked immensely hard on every single thing I’ve ever written.

I was lucky, because I was taught about copyrighting very young. New writers know next to nothing about how to protect themselves or their work, so I often have to step up and say something. Not everything you read on the Internet is true, so when in doubt, ask someone who has some experience.

Many new writers share their work via blogs and various platforms through social media. Therein lies your first mistake. Be a writer, share new material on blogs and social media, talk about new projects, but do NOT release privileged work until it has run the gamut with literary agents, editors, and/or you have already chosen to publish it yourself. Do extensive self-publishing research and don’t fall for any crap. Again, when it doubt, turn to someone knowledgable.

Above all, don’t do anything for work that doesn’t make you feel good about yourself. A sample edit might seem fine to a lot of you, but to an experienced editor who already has a sample of her work posted to her profile, it is a grave insult. I won’t whore myself out for a “maybe”, nor will I whore myself out for a “yes”. If a person cannot show you respect, then you probably don’t want to work for or with them. Remember that. Your personal integrity is so much more important than anything else. It’s something someone can only take from you if you let them. I choose to keep my integrity in tact.

UPDATE: Integrity & Intuition will not lead you in the wrong direction. This person sent a chapter of her work out to every single person, 37 in total. I filed a complaint because clearly she wants free work if she’s doing that, and I usually get sent a prologue or a first chapter, never something in the middle. I was sent chapter 12, and the warning bells went off inside my head. She has listed the same job 4 times. They immediately flagged it and told me to continue reporting anyone that violates the terms of service because I could accidentally be booted for following the rules when I haven’t done anything wrong, but it’s hard when you’ve got 10 million customers and workers to be on top of every single incident. I feel better knowing I did what’s right. Always read the rules. It takes a few minutes, yes, but it gives you knowledge and shows you’re not a moron! I’m many things, a moron isn’t one of them.